I love Quora, the website that answers questions you have never thought to ask. It has some brilliant designers:
[As designers] our job is to turn those abstractions into a crisp mental model for the user.
These aren’t always the same. Take the typical volume slider as an example. The following is from iOS:
The software abstraction (I’m guessing) ties pixel position to a numerical value. However, the mental model offered by the interface presents the choice as a continuous band. This makes more sense to users as the human ear doesn’t perceive volume in discrete steps. There’s the volume level you want, and everything else is either too high or too low.
WHEN: Thurs. Sept 4, 2014
WHERE: Manning Centre, 514 11 Ave SW, Calgary AB
ABOUT: Fossil fuels gives us comfort, mobility and freedom. What’s not to love? At a time when oil is a dirty word, Olivier Ballou thinks it’s time to give crude its due. Inspired by the Art Deco movement that celebrated the Machine Age, he proposes a new aesthetic for the Oil Age. Olivier is a graphic artist and the Manning Centre’s Director of Communications.
OIL DERRICK WRAPPING PAPER
OIL DERRICK PILLOW
DRILL BIT RING
HORIZONTAL DRILLING PENDANT
OILSANDS TRUCK TIRE RING
I’m working on my upcoming art show (Sept 4, 2014 at the Manning Centre in Calgary).
It’s been a challenge to conceptualize something that can be called “art” as opposed to mere design.
I was inspired by an exhibition in Charleston, SC featuring an artist-designer: Shepard Fairey (of Obama hope poster fame). He does a great job using icons and decorative art elements to get his ideas across:
I don’t share Fairey’s politics, however.
A book on Art Deco in the gallery library got me thinking: what if rather than criticizing our Oil Age, art celebrated it – like it does for electrification in the bas-relief below?
Call-outs are a good principle of visual design. This article shows how minimalism works better. I love that people take the time to look into this.